The Depressed [Album]
Released: 2006
RYUTA.K(RYU)(ovdk)
Total Tracks: 4
Label: Dark winter
(usyukuro radio station)
list
Track 01 - Digital Domain Xoomei Sahka Tuvanskya (14.1 MB)
Track 02 - The Depressed (14.2 MB)
Track 03 - Le Mansyuria De La Nuuit* (14.1 MB)
Track 04 - Kyyuya* (22.9 MB)
Track 01 - Digital Domain Xoomei Sahka Tuvanskya (14.1 MB)
Track 02 - The Depressed (14.2 MB)
Track 03 - Le Mansyuria De La Nuuit* (14.1 MB)
Track 04 - Kyyuya* (22.9 MB)
Review
zizek-faker (c) 2006
"The Depressed" is very malancholic, gloomy. Established, existing system must deal with this "The Depressed" to be unpleasant. "The Depressed" has the traumatic introspection, neither the right wing nor the left wing. Immediate ideology which established, existing system would demand must conflict with the introspection. So literally non-hierarchy nonpop forth world music marginalized by hegemonic ideology or postmodernism. "The Depressed" should be listened in a social frame! This is one of neue japonska kunst with no-arm selfportrait tableau.
Kolzol (c) 2006
In the first track slowly rotating loops are set against cascading chords for an eerie mood, with some high pitched chirps and bleeps. An uneasy introduction to be sure. Next in Track 2 come jarring, screeching tones, giving way to cycling, jewelled melody fragments, progressing into monstrous slabs of noise. The third track is a long melancholy melodic interlude. Track 4 has a female oriental vocal narration, and bleeping backgrounds growing in intensity, with some strummed chords and effects.
This work is a must for lovers of dark, experimental and disorienting sounds. Unexpected sounds and textures keep the listener off balance, never knowing what to expect.
Larry Johnson (c) 2006
gThe Depressedh is one of the most aesthetically pleasing and, at the same time, challenging dark experimental releases that Ieve crossed paths with. A postmodern sojourn into the world of digital noises, iridescent electronics, shadowy drones, and incorporeal voices where the juxtaposition of opposites - order versus chaos, organic versus deconstructed, linear versus fractal, and abstract versus concrete - play an important role. gDigital Domain Xoomei Sahka Tuvanskyah is a self-descriptive, minimally brooding collage of digital noises and broken sounds. The title track gThe Depressedh is a chaotic onslaught of cascading walls of almost brutal electronic noise except for the last few moments when the harshness subsides into a quieter and gentler abstraction.gLe Mansyuria De La Nuuith is a reflective and melancholy drone where sparkling electronics and sad tones interplay in such a way as to be suggestive of world music influences. For me gKyyuyah is the climax to this album where the combination of chattering ghostly voices, fragmented electronics, deep tones, and dissonant guitar contribute to an overall disturbing, surreal atmosphere.................................................................................................................................................................................................................................................................................................................................................................
"The Depressed" is very malancholic, gloomy. Established, existing system must deal with this "The Depressed" to be unpleasant. "The Depressed" has the traumatic introspection, neither the right wing nor the left wing. Immediate ideology which established, existing system would demand must conflict with the introspection. So literally non-hierarchy nonpop forth world music marginalized by hegemonic ideology or postmodernism. "The Depressed" should be listened in a social frame! This is one of neue japonska kunst with no-arm selfportrait tableau.
Kolzol (c) 2006
In the first track slowly rotating loops are set against cascading chords for an eerie mood, with some high pitched chirps and bleeps. An uneasy introduction to be sure. Next in Track 2 come jarring, screeching tones, giving way to cycling, jewelled melody fragments, progressing into monstrous slabs of noise. The third track is a long melancholy melodic interlude. Track 4 has a female oriental vocal narration, and bleeping backgrounds growing in intensity, with some strummed chords and effects.
This work is a must for lovers of dark, experimental and disorienting sounds. Unexpected sounds and textures keep the listener off balance, never knowing what to expect.
Larry Johnson (c) 2006
gThe Depressedh is one of the most aesthetically pleasing and, at the same time, challenging dark experimental releases that Ieve crossed paths with. A postmodern sojourn into the world of digital noises, iridescent electronics, shadowy drones, and incorporeal voices where the juxtaposition of opposites - order versus chaos, organic versus deconstructed, linear versus fractal, and abstract versus concrete - play an important role. gDigital Domain Xoomei Sahka Tuvanskyah is a self-descriptive, minimally brooding collage of digital noises and broken sounds. The title track gThe Depressedh is a chaotic onslaught of cascading walls of almost brutal electronic noise except for the last few moments when the harshness subsides into a quieter and gentler abstraction.gLe Mansyuria De La Nuuith is a reflective and melancholy drone where sparkling electronics and sad tones interplay in such a way as to be suggestive of world music influences. For me gKyyuyah is the climax to this album where the combination of chattering ghostly voices, fragmented electronics, deep tones, and dissonant guitar contribute to an overall disturbing, surreal atmosphere.................................................................................................................................................................................................................................................................................................................................................................
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